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- <text id=89TT2876>
- <title>
- Oct. 30, 1989: Point Blank
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Oct. 30, 1989 San Francisco Earthquake
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 90
- Point Blank
- </hdr><body>
- <qt> <l>THE LONG GRAY LINE</l>
- <l>by Rick Atkinson</l>
- <l>Houghton Mifflin; 592 pages; $24.95</l>
- </qt>
- <p> A veteran examines a 20-year-old photograph of his
- graduating class. "The guy on my left is dead now," he notes.
- "So is the guy on my right. The three of us didn't fare too well
- in Viet Nam. I came out the best." He points with the hook that
- serves as his right hand.
- </p>
- <p> Rick Atkinson's epic of West Point's class of '66 is marked
- by such piercing incidents. A Washington Post reporter, he
- begins by following some 600 freshmen, ruddy and damp in their
- new gray wool uniforms. Loud harassment is the order of the day
- ("Pull that neck in, mister. You call that bracing?"). It has
- been this way since Thomas Jefferson founded the academy in
- 1802, and in the crowd of intimidated cadets the figures tend
- to blur -- until destiny selects them for service in Viet Nam.
- </p>
- <p> Some soldiers make immediate and tragic exits. Bill Haneke
- is energized by President John F. Kennedy's 1961 Inaugural
- speech calling for a new generation to bear any burden, meet any
- hardship. He returns from Southeast Asia minus a right leg, a
- left foot and an eye. Tommy Hayes, the son and grandson of West
- Point major generals, rejects the sanctuary of graduate school.
- In a letter home he writes, "My country has invested a great
- deal in me as a soldier. I should like to repay that
- investment." The price is his life, taken in the jungle north
- of Saigon.
- </p>
- <p> Three survivors carry the burden of Atkinson's narrative.
- Tom Carhart is a gung-ho lieutenant whose career is derailed by
- accidents and disfigured by a war he can neither take nor
- leave. Jack Wheeler is an idealistic Army brat who loses his
- military faith in the trenches. Postwar, both men have turbulent
- domestic lives; both resign their commissions, as do nearly 25%
- of their class. Both are obsessed by the idea of a Viet Nam
- memorial in Washington. But Wheeler favors the final design;
- Carhart, a lifelong iconoclast, censures the "black gash of
- shame and sorrow, hacked into the national visage that is the
- Mall." George Crocker, the classic warrior-aristocrat, is far
- removed from that fray. He distinguishes himself in combat,
- rises to lieutenant colonel and becomes the liberator of
- Grenada, a John Wayne figure "doing men things in a manly manner
- with other men."
- </p>
- <p> It would have been a simple matter to melodramatize or
- caricature these soldiers' stories. But Atkinson maintains a
- tone of scrupulous neutrality, and he never loses the Point of
- his narrative. All along, his greatest character is the
- military academy itself, sustained by patriotic zeal in the
- '50s, pocked by controversy in the '60s and cheating scandals
- in the '70s, yielding in the '80s to a new national temper.
- Today women are admitted, there is a course in ethics, and the
- incoming class is treated with unaccustomed humanity. "Demanding
- but not demeaning" is the cadre's new motto. Only the school
- prayer goes on as before: "Make us to choose the harder right
- instead of the easier wrong, and never to be content with a half
- truth when the whole can be won."
- </p>
- <p> But what constitutes the whole truth? Has the cadets' rigid
- training, the insistence on blind obedience, ruined more
- officers than it has made? Or did Viet Nam finally force the
- Army to create a new and better kind of leader? As Atkinson's
- brilliant history indicates, the answers are still being
- debated, and the arguments are likely to continue until the last
- battalion in The Long Gray Line.
- </p>
-
- </body></article>
- </text>
-
-